Infinity and spinning pinwheels of death

(Written about CAA’s project for Northern Lights AOV6.) Read the publication. The Center for Advanced Application’s (CAA) newest product, Infinity, makes visual reference to a class of animated icons that user interface developers refer to as activity progress indicators. These icons not only include the much maligned spinning wheel (suggested by Infinity), but also the

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We have left the land and have embarked. We have burned our bridges behind us—indeed, we have gone farther and destroyed the land behind us. Now, little ship, look out! Beside you is the ocean: to be sure, it does not always roar, and at times it lies spread out like silk and gold and reveries of graciousness. But hours will come when you will realize that it is infinite and that there is nothing more awesome than infinity. Oh, the poor bird that felt free and now strikes the walls of this cage! Woe, when you feel homesick for the land as if it had offered more freedom—and there is no longer any ‘land.’

Nietzsche, The Gay Science

Encounters with the Material: Krzysztof Wodiczko and site-specific media art

Forthcoming in Discourse. This article examines media practices that open encounters with the material as a critical intervention into the virtual condition.  It addresses Krzysztof Wodiczko’s site-specific large-scale image projections as an example of this type of media practice.  Wodiczko’s work has been characterized as “interrogative,” that is, critical of social and political problems associated

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lb-publicart: The foam positives for each of Meander’s 15 glass lanterns have been fabricated and are off to our glass artist to begin the casting process. Laying them out in sequence starts to give a sense of the artwork’s scale and variation.

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